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| Education |
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2001 |
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Master of Fine Arts
East Carolina University, Greenville, North Carolina
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| 1998 |
Bachelor of Fine Arts, Cum Laude
Virginia Commonwealth University, Richmond, Virginia
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| Solo Exhibitions |
2009 |
Caroline Gore, Urban Institute for Contemporary Art, Grand Rapids, Michigan
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Tangential Memories, Luke & Eloy Gallery, Pittsburgh, Pennsylvania
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| 2008 |
Recent Play, Plata Y Oro, Kalamazoo, Michigan
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| 2006 |
spaces:bodies, Kingscott Gallery, Kalamazoo, Michigan
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false:start, Gallery II, School of Art, Western Michigan University, Kalamazoo, Michigan
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Caroline Gore, Arcus Winter Garden, Arcus Foundation, Kalamazoo, Michigan
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| 2001 |
Through, The Arts Center, Kinston, North Carolina
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| 2000 |
Putting Things Together, Taking Things Apart (with Sara Dismukes) The Arts Center, Kinston, North Carolina
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| Invitational Exhibitions |
2009 |
RE:ACTION(S), Craft Alliance, Saint Louis, Missouri
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Equilibrium: Body as Site – Metalsmith Magazine’s Exhibition in Print, Stanlee & Gerald Rubin Center for Visual Arts, The University of Texas at El Paso, El Paso, Texas
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| 2008 |
SOFA Chicago 2008, represented by Ornamentum Gallery, Chicago Illinois
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Like: an Experiment in Interpretation, Hawkes Bay Museum and Art Gallery, Napier, New Zealand
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TAG, The Society for Contemporary Craft, Pittsburg, Pennsylvania
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Surfaces, Aaron Faber Gallery, New York City, New York
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Western Michigan University Faculty Exhibition, SACI Gallery, Studio Art Centers International, Florence, Italy
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Like: an Experiment in Interpretation, The Suter, Nelson, New Zealand
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| 2007 |
On the Edge, 9th Biennial Conference of the Enamellist Society
Evergreen State College, Olympia, Washington
Gallery Mack, Seattle, Washington
The Contemporary Crafts Gallery, Portland, Oregon (Juried)
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Color Has It, A Show of Contemporary Enamel Jewelry Art, Facere Jewelry Art Gallery, Seattle, Washington (Invitational)
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| 2001 |
The World Competition of Arts & Crafts Kanazawa 2001, Korinbo Daiwa, Kanazawa City, Japan, (Juried)
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Through MFA Thesis Exhibition, The Arts Center, Kinston, North Carolina, (Solo)
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Putting Things Together, Taking Things Apart, Two Person Show with Sara Dismukes
The Arts Center, Kinston, North Carolina, (Solo)
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| 2007 |
Transparent, The Granary, Fiskars, Finland
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| 2006 |
Sparkle Plenty 2, Quirk Gallery, Richmond, Virginia
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Metals Exhibition, Muskegon Museum of Art, Muskegon, Michigan
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Glass/Wear, Craft Alliance, St. Louis, Missouri
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Our Town, Kalamazoo Arts Council, Epic Center, Kalamazoo, Michigan
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| 2005 |
Body Adornments, Central Michigan University, Mount Pleasant, Michigan
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Made in America, Bevier Gallery, Rochester Institute of Technology, Rochester, New York
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| 2003 |
Color Has It, A Show of Contemporary Enamel Jewelry Art, Facere Jewelry Art Gallery, Seattle, Washington
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| Juried Exhibitions: |
2008 |
Co-Laboratory, La Galerie Bleue, Savannah College of Art and Design, Savannah, Georgia
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| 2007 |
CraftForms 2007:13th Annual Juried Exhibition of Contemporary Craft, Wayne Art Center, Wayne, Pennsylvania
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West Michigan Area Show 2007, Kalamazoo Institute of Arts, Kalamazoo, Michigan
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Jewelry + Object, Michigan Silversmiths Guild, Ann Arbor Art Center, Ann Arbor, Michigan
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Topeka Competition 28, Sabatini Gallery, Topeka, Kansas
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| 2006 |
Golden Opportunity, Marx Saunders Gallery, Chicago, Illinois & The Brewery, London, England
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Reinterpreting the Vessel, Perimeter Gallery, Chicago, Illinois
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27th Annual Contemporary Crafts Exhibition, Mesa Contemporary Art Center, Mesa, Arizona
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| 2005 |
2nd Annual Chicago Metal Arts Guild Members Exhibit Suburban Fine Arts Center, Highland Park, Illinois
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Biennial 23, Juror: Aron Packer, South Bend Regional Museum of Art, South Bend, Indiana
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Jewelry + Object, Michigan Silversmiths Guild, Ann Arbor Art Center, Ann Arbor, Michigan
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West Michigan Area Show 2005, Kalamazoo Institute of Arts, Kalamazoo, Michigan
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Resources: Steel, Rubber, Coal, and Salt, in conjunction with the 2005 SNAG Conference “Intersection” Cleveland Museum of Natural History, Cleveland, Ohio
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| 2004 |
A Survey of Contemporary Jewelry, Chicago Metal Arts Guild, Mindscape Adornment, Evanston, Illinois
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The Arsenal Metals & Enamels Exhibition, The Columbus Cultural Arts Center, Columbus, Ohio
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Objects of Desire, Florida Society of Goldsmiths, The Arts Center, St. Petersburg, Florida
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Stone/s: a piece of rock for a specific function, The Society for Midwest Metalsmiths, Emerson Gallery St. Louis, Missouri
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| 2003 |
On the Edge, 9th Biennial Conference of the Enamellist Society Evergreen State College, Olympia, Washington, Gallery Mack, Seattle, Washington, The Contemporary Crafts Gallery, Portland, Oregon
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Jewelry + Object, Michigan Silversmiths Guild, Ann Arbor Art Center, Ann Arbor, Michigan
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| 2001 |
The World Competition of Arts & Crafts Kanazawa 2001, Korinbo Daiwa, Kanazawa City, Japan
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23rd Annual Contemporary Crafts, Mesa Arts Center, Mesa, Arizona
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Hand Crafted, Rocky Mount Arts Center, Rocky Mount, North Carolina
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| Lectures & Workshops Presented |
2008 |
“Emerging Artists 2008” Sponsored by the Society of North American Goldsmiths, SALON SOFA Lecture Series, International Expositions of Sculpture, Objects and Functional Art, Chicago, Illinois
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“Visual Articulations - Bemis Center Artists-in-Residence John Henry Blatter, Caroline Gore & Nathalie Miebach”, Bemis Center for Contemporary Arts, Omaha, Nebraska
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| 2007 |
“site interventions/observations and other recent works” Kalamazoo Institute of Art, Kalamazoo, Michigan
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“Blurring Across Fields – Siting the Maker” New Craft — Future Voices International Conference, University of Dundee, Dundee, Scotland
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“Endings and Beginnings” Artist Talk Kuparipaja (Copper Smithy), Fiskars Cooperative, Fiskars, Finland
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| 2006 |
“Markings – Recent Work” Artists Talk University of Sydney, Sydney College of the Arts, Sydney, Australia
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“Blurring the Field – Siting the Maker” Carry the Can – Association of Contemporary Jewellery Conference London Metropolitan University, London, England
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Artist Talk Studio Art Centers International, Florence, Italy
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Artist Talk Fuji Studios, Florence, Italy
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“questions & false:start”, Western Michigan University, Kalamazoo, Michigan
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“Spaces, Sculpture & the Body” Panel member with Mark Edgoose, Melbourne, Australia, and Tracey Clement, Sydney, Australia Paper presented entitled “the blurring between sculpture and adornment - spaces:bodies” Jewellers & Metalsmiths group of Australia Biennial Conference 2006 University of Sydney, Sydney College of the Arts, Sydney, Australia
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“Where does sculpture end and adornment begin?” Post - Conference 2 day Workshop Jewellers & Metalsmiths Group of Australia Biennial Conference 2006 University of Sydney, Sydney College of the Arts, Sydney, Australia
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| 2005 |
“Collections” Visiting Artist/Lecturer, Portage Central High School, Portage, Michigan
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“the beauty:poison series” Visiting Artist/Lecturer, Boise State University, Boise, Idaho
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Technical workshop presented “Kumboo: Gold and More” Lecture “contemporary practices in jewelry using Kumboo processes” Idaho Metal Arts Guild, Boise, Idaho
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| Artist Residencies |
2008 |
Bemis Center for Contemporary Art, Omaha, Nebraska, USA (May 1 – July 31)
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| 2007 |
The Artisans, Designers, and Artists Cooperative of Fiskars, Fiskars, Finland (April)
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| 2006 |
Studio Art Centers International, Florence, Italy (July)
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| Publications & Bibliography |
2008 |
Metalsmith, Equilibrium: Body as Site, curated Exhibition in Print, Volume 28 No:4 2008.
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500 Pendants and Lockets: Contemporary Interpretations of Classic Adornments, Lark Books, Sterling Publishing Co., Inc.
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Like, An Experiment in Interpretation, Stella Chrysostomou - Icebox 2008, Printhouse, Nelson, New Zealand, 2008.
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| 2007 |
Caroline Gore, “Blurring Across Fields – Siting the Maker”, 2007 New Craft — Future Voices International Conference Proceedings; Edited by, Georgina Follett, and Louise Valentine; Past, Present, and Future Craft Practice Research, Duncan of Jordanstone College of Art and Design, University of Dundee, Dundee, Scotland, 2007.
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| 2006 |
Tracey Clement, “The Versatile Body: Subject, Object & Implement”, University of Sydney, Sydney, Australia, 2006
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Caroline Gore, “The Blurring of Sculpture and Adornment, Spaces:Bodies”, University of Sydney, Sydney, Australia, 2006
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Lynn Cool, “Resources; Steel, Rubber, Coal and Salt”, Metalsmith, The Society of North American Goldsmiths, Spring 2006, Volume 26, No.1, p.53, 2006.
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The Art & Craft of Making Jewelry, Lark Books, Sterling Publishing Co., Inc.
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| 2005 |
Shirley Dawson, “Metal shines in two new shows: two shows exude brilliance in a faintly retro way”, Rochester Democrat and Chronicle, Rochester, New York. 2005.
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Dorothy Shin, “Big and Beautiful shines in Exhibit: SNAG members use Ohio industry materials for outsized art works”, Akron Beacon Journal, Cleveland, Ohio. 2005.
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| 2004 |
1000 Rings: Inspiring Adornment for the Hand, Lark Books, Sterling Publishing Co., Inc.
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500 Beaded Objects: New Dimensions in Contemporary Beadwork, Lark Books, Sterling Publishing Co., Inc.
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| Gallery Representation |
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Ornamentum Gallery, Hudson, New York, USA
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Andora Gallery, Chicago, Illinois, USA
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Quirk Gallery, Richmond, Virginia, USA
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