Education: 2009 | Opere Jewellery School, Ravenstein, The Netherlands | 2001 | MFA, East Carolina University, Greenville, North Carolina | 1998 | BFA, Virginia Commonwealth University, Richmond, Virginia

Public Collections: 2014 | Racine Art Museum, Racine, Wisconsin | 2010 | Museum of Fine Arts – Houston | 2008 | Bemis Center for Contemporary Art, Omaha, Nebraska | 2007 | Western Michigan University, Kalamazoo, Michigan

Solo Exhibitions: 2016 | Drawings, Crane Tenant Gallery, Crane Arts, Philadelphia, Pennsylvania | Caroline Gore, James Oliver Gallery, Philadelphia, Pennsylvania | 2014 | the jewelry within a …mercurial silence…, Velvet da Vinci, San Francisco, California | …mercurial silence…, Urban Institute for Contemporary Arts, Grand Rapids, Michigan | …resonance…, Urban Institute for Contemporary Arts, Grand Rapids, Michigan | …mercurial silence…, Permanent Collections Gallery, Western Michigan University, Kalamazoo, Michigan | …resonance…, Epic Center, Greater Kalamazoo Arts Council, Kalamazoo, Michigan |  2011 | SOFA Chicago 2011- featured artist, represented by Ornamentum Gallery, Chicago Illinois | 2010 | site: interventions, observations & simulations, Mezzanine Gallery, Lawndale Art Center, Houston, Texas (in conjunction with the 2010 Society of North American Goldsmiths conference Going to Extremes) | 2009 | Simulations, Permanent Collections Gallery, Western Michigan University, Kalamazoo, Michigan | Caroline Gore, Urban Institute for Contemporary Art, Grand Rapids, Michigan | 2008 | Recent Play, Plata Y Oro, Kalamazoo, Michigan | 2006 | spaces:bodies, Kingscott Gallery, Kalamazoo, Michigan | false:start, Gallery II, School of Art, Western Michigan University, Kalamazoo, Michigan | Caroline Gore, Arcus Winter Garden, Arcus Foundation, Kalamazoo, Michigan | 2001 | Through, The Arts Center, Kinston, North Carolina | 2000 | Putting Things Together, Taking Things Apart (with Sara Dismukes) The Arts Center, Kinston, North Carolina

Group Exhibitions: 2016 | The University of the Arts CAMD Faculty Exhibition at the Kimmel Center, Philadelphia, Pennsylvania | Earrings 3, Velvet da Vinci Gallery, San Francisco, California | 2015 | Presenter Exhibition, Yuma Art Center, Yuma, Arizona | Craft + Material Studies Faculty Exhibition, The University of the Arts, Hamilton & Arronson Galleries, Philadelphia, Pennsylvania | Angles, Rose Turk–o Gallery, Richmond, Virginia | 2014 | Light of the Moon, Arrowmont School of Arts and Crafts, Gatinberg, Tennessee | Siamese Connection, Brooklyn Metal Works, Brooklyn, New York (Jurors Choice Award 1st) | 50/50 Equal Parts: An Exhibition Celebrating a small view into the big window of Contemporary Jewelry, Gray Gallery, East Carolina University, Greenville, North Carolina | Double Take: Artists Respond to the Collection, Kalamazoo Institute of Arts, Kalamazoo, Michigan | 2013 | Shift: Contemporary Makers That Define, Expand and Contradict The Field of Art Jewelry, Grunwald Gallery, Indiana University, Bloomington, Indiana | Metals 2013, Michigan Silversmiths Guild, College for Creative Studies, Detroit, Michigan | Au Courant: A Contemporary Earring Exhibition, J. Cotter Gallery, Beaver Creek & Vail, Colorado | Badges & Buttons – Waistcoats & Vests, Light: Art & Design, Chapel Hill, North Carolina | Badges & Buttons – Waistcoats & Vests, The Society for Contemporary Craft, Pittsburg, Pennsylvania | 2012 | Badges & Buttons – Waistcoats & Vests, Velvet da Vinci, San Francisco, California | Covet, Sienna Gallery, Lenox, Massachusetts | Design Miami/Basel, The Global Forum for Design, Basel, Switzerland, represented by Ornamentum Gallery | Naturel|Artificiel Curator Luzia Vogt, Galerie Noel Guyomarc’h Bijoux et Objets Contemporains, Montréal Québec, Canada | Covet (preview), SOFA New York 2012, New York, New York, represented by Sienna Gallery | SOFA New York 2012, New York, New York, represented by Ornamentum Gallery | Town & Country: Jewelry Artists Respond to the Synthetic and Natural World, in conjunction with the 2012 SCADstyle, Savannah College of Art and Design Pinnacle Gallery, Savannah, Georgia | The Art of Influence, Gray Gallery, East Carolina University, Greenville, North Carolina | 2011 | Design Miami/Basel, The Global Forum for Design, Miami, Florida, represented byOrnamentum Gallery | Signs of Life 2011, Facere Jewelry Art Gallery, Seattle, Washington | School of Art and Design Alumni Exhibition, Gray Gallery, East Carolina University, Greenville, North Carolina | SOFA New York 2011, New York, New York, represented by Ornamentum Gallery | Wearable Ceramics: Jewelry by International Artists, Pewabic Pottery, Detroit, Michigan | 2010 | SOFA Chicago 2010, Chicago, Illinois, represented by Ornamentum Gallery | SOFA New York 2010, New York, New York, represented by Ornamentum Gallery | Charmed, Society of Contemporary Craft, Pittsburgh, Pennsylvania | Equilibrium: Body as Site, Texas State University, San Marcos, Texas | 2009 | SOFA Chicago 2009, Chicago, Illinois, represented by Ornamentum Gallery | SOFA Chicago 2009, Chicago, Illinois, The Stimulus Project 2009, Sienna Gallery, Lenox, Massachusetts | Re/Thinking Design for Consumption, The Scarab Club, Detroit, Michigan | The Stimulus Project 2009, Sienna Gallery, Lenox, Massachusetts | RE:ACTION(S), Craft Alliance, Saint Louis, Missouri | SOFA New York 2009, New York, New York, represented by Ornamentum Gallery | TAG, East Carolina University, Greenville, North Carolina | Equilibrium: Body as Site, Stanlee & Gerald Rubin Center for Visual Arts, The University of Texas at El Paso, El Paso, Texas | 2008 | Annual Earring Exhibition, Ornamentum Gallery, Hudson, New York | SOFA Chicago 2008, Chicago, Illinois, represented by Ornamentum Gallery | Like: an Experiment in Interpretation, Hawkes Bay Museum and Art Gallery, Napier, New Zealand | TAG, The Society for Contemporary Craft, Pittsburg, Pennsylvania | Surfaces, Aaron Faber Gallery, New York, New York | Western Michigan University Faculty Exhibition, SACI Gallery, Studio Art Centers International, Florence, Italy | Like: an Experiment in Interpretation, The Suter, Nelson, New Zealand | 2007 | Transparent, The Granary, Fiskars, Finland2006 Sparkle Plenty 2, Quirk Gallery, Richmond, Virginia | Metals Exhibition, Muskegon Museum of Art, Muskegon, Michigan | ECU Alumni, Grey Gallery, East Carolina University, Greenville, North Carolina | Glass/Wear, Craft Alliance, St. Louis, Missouri | Our Town, Kalamazoo Arts Council, Epic Center, Kalamazoo, Michigan | 2005 | Body Adornments, Central Michigan University, Mount Pleasant, Michigan | Made in America, Bevier Gallery, Rochester Institute of Technology, Rochester, New York | Exhibition in Motion – Collaboration with Susan Kingsley and Christina Miller – Runway Brides In conjunction with the 2005 SNAG Conference “Intersection”, Rock N Roll Hall of Fame, Cleveland, Ohio

Lectures & Workshops Presented: 2017 | “The Snake Paused”, Penland School of Crafts, Penland, North Carolina | 2016 | Visiting Critic for Jewelry Senior Undergraduate students, Pratt Institute, Brooklyn, New York | Visiting Critic for Metals Junior Undergraduate students, Rhode Island School of Design, Providence, Rhode Island | Lecture, Visiting Critic, and Workshop on idea development, Kent State University, Kent, Ohio | 2015 | The Mercurial Silence of Grief in Jewelry and Objects, Yuma Art Symposium, Yuma, Arizona | 2014 | Visiting Critic for Metals Graduate Students, Rhode Island School of Design, Providence, Rhode Island | Chewing Gum to Googly Eyes: Materiality in Contemporary Jewelry: panel with Kerianne Quick, Edgar Mosa, Caroline Gore, 2014 SNAG conference – From Grains to Gold, Minneapolis, Minnesota | Lecture and studio demonstration, The University of the Arts, Philadelphia, Pennsylvania | Floor Talk, Urban Institute of Contemporary Arts, Grand Rapids, Michigan | …mercurial silence…, Western Michigan University, Kalamazoo, Michigan | 2012 | “…departures, arrivals and the subsequent ambiguous narrative…”, The University of Texas, El Paso, Texas | “The Intentionally Ambiguous Narrative”, Penland School of Crafts, Penland, North Carolina |”…departures, arrivals and the subsequent ambiguous narrative…”, University of Illinois – Champaign Urbana, Champaign, Illinois | 2011 | “Finding Signs of Life”, Facèré Jewelry Art Gallery, Seattle, Washington | “Shifting Tradition: A Journey Through Lineage”, Keynote lecture for East Carolina University Symposium 2011, East Carolina University, Greenville, North Carolina | 2010 | “Research methods and work”, Glassell School of Art, Museum of Fine Arts – Houston, Houston, Texas | Floor Talk, Lawndale Art Center, Houston, Texas | “Work” Kendall College of Art, Ferris University, Grand Rapids, Michigan | 2009 | “Recent Works” Michigan Silversmiths Guild, Eastern Michigan University, Ypsilanti, Michigan | “Play & Ideation” workshop, “Visual Sources” Lecture, Grand Valley State University, Allendale, Michigan | Floor Talk, Urban Institute of Contemporary Arts, Grand Rapids, Michigan | 2008 | “Emerging Artists 2008” Sponsored by the Society of North American Goldsmiths, SALON SOFA Lecture Series, International Expositions of Sculpture, Objects and Functional Art, Chicago, Illinois | “Visual Articulations – Bemis Center Artists-in-Residence John Henry Blatter, Caroline Gore & Nathalie Miebach”, Bemis Center for Contemporary Arts, Omaha, Nebraska | 2007 | “site interventions/observations and other recent works” Kalamazoo Institute of Art, Kalamazoo, Michigan | “Blurring Across Fields – Siting the Maker” New Craft — Future Voices International Conference, University of Dundee, Dundee, Scotland | “Endings and Beginnings” Artist Talk Kuparipaja (Copper Smithy), Fiskars Cooperative, Fiskars, Finland | 2006 | “Markings – Recent Work” Artists Talk University of Sydney, Sydney College of the Arts, Sydney, Australia | “Blurring the Field – Siting the Maker” Carry the Can – Association of Contemporary Jewellery Conference London Metropolitan University, London, England | Artist Talk Studio Art Centers International, Florence, Italy | Artist Talk Fuji Studios, Florence, Italy | “the blurring between sculpture and adornment”, Lecture to Joyce Kubiski’s Body in Art Course, Western Michigan University, Kalamazoo, Michigan | “questions & false:start”, Western Michigan University, Kalamazoo, Michigan | Artist Talk, to spring 06 Art 1200 course lead by Cat Crotchett, Western Michigan University |“Spaces, Sculpture & the Body” Panel member with Mark Edgoose, Melbourne, Australia, and Tracey Clement, Sydney, Australia Paper presented entitled “the blurring between sculpture and adornment – spaces:bodies” Jewellers & Metalsmiths group of Australia Biennial Conference 2006 University of Sydney, Sydney College of the Arts, Sydney, Australia | “Where does sculpture end and adornment begin?” Post – Conference Workshop Jewellers & Metalsmiths Group of Australia Biennial Conference 2006 University of Sydney, Sydney College of the Arts, Sydney, Australia | 2005 | “the beauty:poison series” Visiting Artist/Lecturer, Boise State University, Boise, Idaho | Technical workshop presented “Kumboo: Gold and More” Lecture “contemporary practices in jewelry using Kumboo processes” Idaho Metal Arts Guild, Boise, Idaho

Artist Residencies: 2016 | Haystack Open Studio Residency, Haystack Mountain School of Crafts, Deer Isle, Maine | 2015-16 | The Clay Studio, Philadelphia, Pennsylvania | 2008 | Bemis Center for Contemporary Art, Omaha, Nebraska, USA (May 1 – July 31) | 2007 | The Artisans, Designers, and Artists Cooperative of Fiskars, Fiskars, Finland (April) | 2006 | Studio Art Centers International, Florence, Italy (July)

Teaching: Present – 2014 | Associate Professor / Metals Coordinator,  University of the Arts, Craft & Material Studies, Philadelphia, Pennsylvania | 2014 – 2010 | Associate Professor of Art – Metals / Jewelry Area Coordinator, Western Michigan University, Frostic School of Art, Kalamazoo, Michigan | 2010 -2004 | Assistant Professor of Art – Metals / Jewelry Area Coordinator, Western Michigan University, Frostic School of Art, Kalamazoo, Michigan

Publications: 2016 | Exhibition in Print 2016, Shifting Sites, Metalsmith Magazine, Volume 36 No: 34, 2016 | Sum & Substance, The Jewelry Issue, American Craft Magazine, Volume 75 No: 5, 2015 | 2014 | Robert W. Ebendorf, The Work in Depth, Racine Art Museum, Racine, Wisconsin | 2012 | Jewelbook: International Annual of Jewel Art 2012-13, Sticthing Kunstboak, Belgium | Showcase: 500 Beaded Jewelry: Photographs of Beautiful Contemporary Beadwork, Lark Books, Sterling Publishing Co., Inc. | 2011 | SOFA Chicago: Talking Shop with Ornamentum, Julie K. Hanus, American Craft Magazine Blog, November 5, 2011 | Signs of Life, Robin Updike, Ornament – the Art and Craft of Personal Adornment, Volume 35, No. 1, 2011 | Signs of Life 2011, Facèré Jewelry Art Gallery | 21st Century Jewelry – The Best of the 500 Series, Lark Books, Sterling Publishing Co., Inc. | 2010 | 500 Gemstone Jewels: A Sparkling Collection of Dazzling Designs, Lark Books, Sterling Publishing Co., Inc. | 2009 | Metalsmith, Saturated: Metal and Color, Juried Exhibition in Print, Volume 29 No: 4 2009. | 2008 | Metalsmith, Equilibrium: Body as Site, Curated Exhibition in Print, Volume 28 No: 4 2008 | 500 Pendants and Lockets: Contemporary Interpretations of Classic Adornments, Lark Books, Sterling Publishing Co., Inc. | Like, An Experiment in Interpretation, Stella Chrysostomou – Icebox 2008, Printhouse, Nelson, New Zealand, 2008. | 2007 | Caroline Gore, “Blurring Across Fields – Siting the Maker”, 2007 New Craft — Future Voices International Conference Proceedings; Edited by, Georgina Follett, and Louise Valentine; Past, Present, and Future Craft Practice Research, Duncan of Jordanstone College of Art and Design, University of Dundee, Dundee, Scotland, 2007. | 2006 | Tracey Clement, “The Versatile Body: Subject, Object & Implement”, University of Sydney, Sydney, Australia, 2006 | Caroline Gore, “The Blurring of Sculpture and Adornment, Spaces:Bodies”, University of Sydney, Sydney, Australia, 2006 | Lynn Cool, “Resources; Steel, Rubber, Coal and Salt”, Metalsmith, The Society of North American Goldsmiths, Spring 2006, Volume 26, No.1, p.53, 2006. | The Art & Craft of Making Jewelry, Lark Books, Sterling Publishing Co., Inc.2005 Shirley Dawson, “Metal shines in two new shows: two shows exude brilliance in a faintly retro way”, Rochester Democrat and Chronicle, Rochester, New York. | 2005 | Dorothy Shin, “Big and Beautiful shines in Exhibit: SNAG members use Ohio industry materials for outsized art works”, Akron Beacon Journal, Cleveland, Ohio. 2005. | 2004 | 1000 Rings: Inspiring Adornment for the Hand, Lark Books, Sterling Publishing Co., Inc | 500 Beaded Objects: New Dimensions in Contemporary Beadwork, Lark Books, Sterling Publishing Co., Inc.